and vibrant city. I love to walk along Waterloo and Westminster bridges at night when it is quiet. The views are absolutely stunning."
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in something like Les Mis you are pretty much trying to achieve what the director wanted 25 years ago, but this is more organic. Everyone chips in with suggestions and they are very open to that."
"I grew up listening to that sort of music and watching them perform," he says. "And even then I was as interested in the rehearsals as in watching the shows."
The songs that are both a part of the history of London and a reflection of that history are what London's Calling is all about, and the show offers something a little different the usual Christmas entertainment shows.
And it is these rich musical yarns from across the decades that have been woven together to form the tapestry of London Calling, opening at Salisbury Playhouse next week.
And he also still enjoys the place where he lives.
"It Prada Bag With Chain Strap was a shock to the system having grown up in a small seaside town in Devon," he laughs. "But I've never regretted it. I still do a job I love. I wake up every morning and look forward to coming to work, which is not something everyone can say."
16 he was accepted on a musical theatre course in London and set off for the Big Smoke.
London Calling at Salisbury Playhouse From Salisbury Journal
From poignant ballads such as 1939's A Nightingale Sang in Berkley Square to the Kinks' hit Waterloo Sunset 30 years later to Lily Allen's LDN in 2006, the songs reflect the styles, preoccupations and moods of their particular moment in time.
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Kerslake's love of theatre began as a child growing up in Devon when his parents were in local amateur dramatic companies.
For the three musical theatre actors charged with bringing it to life on the stage, it requires them to evoke not only the tragedy and fortitude of the Blitz but also the hedonistic pop culture of the '60s and the hippy dippy days of the '70s, as well as the ongoing tragedy of homelessness on the streets of our capital and the loneliness that can be found underneath the surface in a busy, prosperous city.
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"It is such a mix of music," says actor Glyn Kerslake, 46, who appeared in the theatre's previous Christmas shows Let's Misbehave and With a Song in My Heart, and has also been in West End shows including Les Miserables, Miss Saigon and The Phantom of the Opera.
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